- Covers Logic 10.2-10.3
- Configure Logic for Vocal Recording
- Enhance and Retime Voiceovers
- Use EQs, Compressors & Noise Gates
- Record ADR for a Dialogue Scene
- Add Reverb Using Effects Busses
Working with Dialogue & Voice in Logic Pro X
$29.00
Control Vocal Dynamics
The human voice is incredibly versatile and dynamic. It can change in an instant from a whisper to a scream, or a soft heart-felt vocal to an operatic crescendo. In this tutorial you’ll learn how to control the highs and lows of your dialogue, narration or voiceovers using a variety of tools – chief among them, is the compressor.
Enhance Your Dialogue Tracks
The spoken word is the primary instrument for delivering your message, and anything that detracts from it will have an adverse effect on your listener. You’ll learn powerful techniques such as EQ carving to enhance dialogue clarity and keep unwanted sounds from muddying up your mix.
Create a Fitting Voiceover Track
In the sound editing section of the tutorial you’ll learn how to retime voiceover to a specific duration using Logic’s powerful Flex algorithm to quickly change the timing of your talent’s delivery without changing the pitch.
Make Your Vocals Pitch Perfect
You’ll learn some great techniques for adding Reverb to your vocals, how to thicken a vocal recording without changing pitch, and how to turn an audio recording into a MIDI instrument.
Working with Dialouge & Voice in Logic Pro X
1. Viewing Projects & UI Setup
- Introduction
- Viewing Project Files
- Opening the Start Project
- Enabling Advanced Settings
2. Configuring a Podcast Recording
- Checking Recording Settings
- Configuring Track Recording
- Choosing an Input
- Viewing Record Settings
- Configuring Overlapping Recordings
3. Recording a Voice Track
- Reviewing Recording Notes
- Monitoring the Recording
- Recording the Sponsor ID
- Recording Another Take
- Reviewing Takes
4. Recording the Podcast Intro
- Changing the Region Name
- Editing the Marker Duration
- Adding Theme Music
- Why Record with Music
- Viewing Timecode
- Recording the Intro
5. Recording the Podcast Interview
- How the Interview was Recorded
- Reviewing the Podcast Workflow
- Best Practices for Long Interviews
6. Recording Multi-Take Vocals – Part 1
- Opening the Project
- Reviewing the Score
- Breaking Down the Melody
- Reviewing Project Notes
- Showing the Score
- Vocalist Recording Workflow
- Preparing for the Vocalist
7. Recording Multi-Take Vocals – Part 2
- Creating a Vocal Track
- Renaming the Track
- Recording the Track
- Enabling Cycle Recording
- Monitor Mirroring for the Vocalist
- Checking Record Settings
- The Vocal Recording Session
- Reviewing the Final Recording Project
- Playing Back the Raw Version
8. Recording ADR – Part 1
- Opening the Project
- Reviewing the Cut
- Final Cut Pro X Setup
- Adding a Film “Punch”
- Adding Chapter Markers
- Reviewing the Notepad
9. Recording ADR – Part 2
- Customizing the Control Bar
- Reviewing the Task
- Creating an ADR Recording Track
- Choosing an Input Source
- Creating a Cycle Region
- Recording the Takes
- Punch-in Recording
- Recording an Alternate Take
- Using Record/Record Repeat
- Replacing a Word
- Minding the Playhead Location
- Why Word Punch-ins are Useful
10. Retiming Voiceover – Part 1
- Why Retime Voiceover
- Viewing the Projects
- Opening the Movie Template
11. Retiming Voiceover – Part 2
- Reviewing the PSA
- Identifying the Timing Issue
- Using Flex Tool
- Adding an End Marker
- Enabling Flex
- Choosing a Flex Mode
- Choosing a Monophonic Mode
12. Retiming Voiceover – Part 3
- Identifying the Problem
- Trimming the Region
- Trimming to the Zero Crossing
- Adjusting the Timing
- Combining Regions
- Choosing an Overlap Option
- Joining Regions
- Viewing the Media
- Replacing a Word
- Using the Scissors Tool
- Activating the Secondary Tools
13. Editing a Podcast Interview – Part 1
- Reviewing the Project Workflow
- Reviewing the Notepad
- Reviewing the Editing Tools
- Creating “Keeper” Tracks
- Why Keeper Phrases are Important
14. Editing a Podcast Interview – Part 2
- Trimming Tracks to Maintain Sync
- Listening for Dead Space
- Using the Marquee Tool
- Removing Gaps
- Shuffle Left
- Delete and Move
- Creating a Keyboard Shortcut
15. Editing a Podcast Interview – Part 3
- Speeding up Your Workflow
- Variable Speed Playback
- Setting the Display to Timecode
- Grabbing a Keeper Phrase
- Splitting a Region
- Selecting All Regions
- Fast Voiceover Cleanup
16. Editing Multi-Take Vocals – Part 1
- Reviewing the 3C’s
- Reviewing the To Do List
- Checking for Open Mics
- Adding a Natural Vocal Preset to Dry Vocals
- Choosing the Best Take
- Listening to the Take with Additional Music
- Combining Multiple Takes
- Using the Comp Swiping Tool
- Working with Different Comp Modes
- Swiping a Take
- Choosing a Different Section of the Take
17. Editing Multi-Take Vocals – Part 2
- Reviewing the Comp
- Limitations of Swipe Mode
- Creating a Cut
- Extending a Container in Swipe Mode
- Extending the Take Inside the Comp
- Switching the Edit Mode
- Adding Silence to the Comp
- Editing a Comp with the Marquee Tool
18. Editing Multi-Take Vocals – Part 3
- Opening Your Comp in the Editor
- Enabling Flex Pitch
- Reviewing the Vocal Pattern
- Selecting a Note in the Editor
- Changing a Vocals Note
- Adjusting Fine Pitch
- Adjusting Pitch Drift
- Adjusting Gain
- Adjusting Fine Pitch
- Adjusting Vibrato
- Set Perfect Pitch
- Fixing the Vibrato’s Pitch
- Pitch Drift
- Formant Shift
- Organizing the Vocal Tracks
19. Editing Interview Audio
- Replacing Audio
- Opening a Region in a Floating Editor
- Playing Past the Region
- Duplicating the Region
- Extending the Region in the Editor
- Keeping Sync
- Isolating the Bad Audio
- Editing the Replacement Audio
- Comparing Audio Length
- Cutting Out Repeated Words
20. Editing Mixed Audio with One Mic – Part 1
- Opening a Movie In Logic Pro X
- Reviewing the Dual Audio Track
- Mono Vs Stereo
- Volume Differences
21. Editing Mixed Audio with One Mic – Part 2
- Adding a Marker
- Making Cuts Across the Marker
- Labeling the Markers
- Choosing Colors for the Different Markers
- Navigating Between Markers
- Using Markers & the Cycle Area Together
22. Editing Mixed Audio with One Mic – Part 3
- Bouncing the Track in Place
- Changing the Track Channel Mode
- Changing the Track Output to Mono
- Bouncing from the Mono Output Channel
- Adding the New Mono File to the Tracks
- Playing the Mono Track in Two Speakers
- Bouncing the Mono Track Back to Stereo
23. Editing Mixed Audio with One Mic – Part 4
- Cleaning up the Project
- Renaming the Track
- Duplicating the Mono Audio to Other Tracks
- Creating Tracks
- Adding Custom Images to the Tracks
- Matching Track Colors to Corresponding Markers
- Cutting Multiple Tracks at Once
- Deleting Audio Sections According to Their Track (Checkerboarding)
- Overlapping Cuts
24. Enhancing Vocals with Sound Design – Part 1
- Getting Familiar with the Project
- Reviewing the Notes
- Adding Breathing Effects to the PSA
- Creating New Tracks
- Strip Silence
- Duplicating the Breathing Effect
- Timing the First Breathing Effect
- Using the Fade Tool
- Using Flex Pitch
- Adjusting Formants in the Inspector
- What are Formants?
- Adjusting Formants in the Timeline
- Adjusting Formant Shift
- Condensing with Flex Stretch
- Using the Video as a Placement Guide
25. Enhancing Vocals with Sound Design – Part 2
- Using Automation to Lower the Volume
- Adjusting Fade Timing
- Working on the Last Breathing Effect
- Using the Pick Up Clock Tool
- Raising the Formants
- Adding Music to the PSA
- Reviewing the PSA with Music & Effects
- Lowering the Music
- Adjusting Effect Timing
- Creating a Track Stack
- Working with a Summing Stack
- Adding a Speed Fade
26. Normalizing Voice Tracks
- Using Normalize in the Editor
- Extending Multiple Regions at Once
- Joining Tracks
- Lowering Audio Peaks Before Normalizing
- Adjusting the Overlapping Audio
27. Compressing Voice Tracks – Part 1
- Adding a Compressor to a Track
- Understanding the Compressor Threshold
- Viewing the Compression Graph
- Setting the Ratio
- Working with the Compression Gain
- Compression Knee
- Compression Attack
- Compression Release
- Setting the Limiter
- Bouncing the Compressed File
28. Compressing Voice Tracks – Part 2
- Applying Compression to Abba’s Track
- Applying Compression to Steve’s Track
- Creating a Track Stack
29. Improving the Voice with Effects
- Improving the Voice with Effects
- Reviewing the Different Effects
- Applying a Noise Gate
- Recognizing Mic Bleed
- What a Noise Gate Does
- Adjusting the Noise Gate Threshold
- Understanding Your Effects Chain
- Strip Silence
- Using a DeEsser
- Adjusting the Detector Frequency
- Changing the Monitor Mode
- Adjusting the Suppressor Frequency
- Adjusting the Sensitivity
- Using the Strength Parameter
- Pitch Shifter
- What is Cents?
30. Mixing & Bouncing a Podcast
- Setting the End of Project
- Bouncing the Edited Tracks
- Output Settings
- Finalizing the Podcast
- Finishing Notes
- Verifying Compressor Settings
- Automating Music Volume
- Attenuating Music with EQ
- Enhancing Specific Song Elements
- Applying the Final Fade
- Outputting the Finished Master
- Using the Broadcast Ready Effect
- Setting the End of Project Marker
- Bouncing the Finished Project
- Final Output Settings
31. Mixing D, M, & E Stems
- Working with Stems
- Attenuating Music with the EQ
- Analyzing Audio Conflicts
- Sweeping the Music
32. Adding Reverb & Bus Mixing
- Cleaning Up & Joining Regions
- Considerations for Applying Reverb
- Analyzing Track Reverb
- Creating a Reverb Effect
- Using the Space Designer
- Using an Effect Bus
- Mixing Effects
- Using a Bus as a Track
33. Creating an Alternate Mix
- Comparing Alternate Versions
- Building Out a Chord
- Comparing Alternate Version #2
- Comparing Alternate Version #3
- Comparing Alternate Version #4
34. Applying Cross Fades En Masse
- Selecting Regions to Crossfade
- Modifying Multiple Regions
- Adjusting Fade Duration
35. Media Managing a Project
- Locating & Removing Excess Track Data
- Locating & Removing Unused Media
- Deleting Undo History
- Deleting Alternative Versions
- Deleting Unused Video Files
36. Removing Background Noise
- Isolating Sounds with the EQ
- Sweeping the Dialogue
- Working with a Second EQ
- Refining the Effect
- Adding a Noise Gate
37. Thicken Dialogue with Pitch Shifting
- Understanding Vocal Thickening
- Analyzing the Enhancing Elements
- Refining the Mix
38. Turning Vocals into a MIDI Instrument
- Previewing the Project
- Using the Vocal Warm Up
- Checking & Perfecting Pitch
- Determining Individual Notes
- Separating Notes
- Building the Midi Instrument
- Testing the Instrument
39. Outputting a Movie
- Outputting Your Project to a Movie
- Insuring the Playhead is at the Start
- Export Audio to Movie
- Choosing a Save Location
- Enabling or Disabling Embedded Audio Tracks
- Exporting the Dry Mix
- Choosing a Different Video Within Your Project
- Reviewing the Exported Movie
- Exporting the Dual Audio Project
- Choosing Video Export Options
Who this Tutorial is for:
This tutorial is for anyone who wants to improve the quality of their dialogue and voice tracks and assumes basic familiarity with Logic Pro X.
Software Version: Logic Pro 10.2 - Logic Pro 10.3.
Run Time: 5 hours 50 minutes
Project Media: Project Media is Included
Type of Tutorial: Workflow Specific
About the Author: Mary Plummer
14 reviews for Working with Dialogue & Voice in Logic Pro X
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Prem P. (verified owner) –
This was a great tutorial. Well spoken and explained. Sounded very knowledgeable. Would recommend this to anyone over spending hours of surfing other tutorials on the web or free you tube tutorials.
Stephen C. (verified owner) –
Beautifully well organized and easy to understand. I learned much more quickly than agonizing through the manual or trial and error on my own. Mary’s voice is thankfully calming to listen to. Over all at great tutorial. It helped me meet my deadline.
James T. (verified owner) –
Mary did a great job explaining the tools in Logic Pro X. It isn’t easy to find a tutorial that isn’t painted all in music production in mind. I am also a podcaster and Mary helped me a lot understand the tools I need to use for podcast production. She kept information clear and easy to understand.
Thank you again Mary P and Ripple!
James T.
Murtada (verified owner) –
In the first place I’m not a audio guy I’m an editor and I want to learn more about audio , for me I didn’t find that course that useful, for me Ripple Training are superb in final cut and motion and DaVinci but not audio 😅.
Edgar D. (verified owner) –
Clear, concise and very informative. Mary gives a number of different ways to tackle or correct a problem. Watching this tutorial has made me rethink my approach to dialogue tracks.
Meredith M. (verified owner) –
Not only was this incredibly useful, but it was fun too. Mary is a great teacher, and to actually have tracks to play with and use to follow along makes all the difference. I have done a lot of tutorials but this is definitely the most applicable, useful, and rewarding. Thanks for doing it!
Pranat P. (verified owner) –
This is what I’m looking for. It’s really useful and detailed. Now, I’m able to get a good result of my dialogue tracks. Good job Mary & Ripple guys!
Antonio A. (verified owner) –
As a prosumer video shooter and editor I was intimidated by Logic Pro’s complexity and lengthy text guide compared to GarageBand, but slowly and surely I’m getting more confident using Logic with these short tutorial videos and practice files.
Martin T. (verified owner) –
An excellent resource for working with dialog and voice. It was published just in time for my YouTube activities!
Edward N. (verified owner) –
I learned a lot from this tutorial. However, I think it would have benefited from more focus. In my case, more focus on spoken voice, podcasting. The musical / vocal material was a distraction for me. It might better be moved into a more music-centric tutorial.
Obvious this is one of those ‘your mileage may vary’ kinds of comments; it’s just me and my particular set of challenges at this point in time.
The format and presentation are up to the usual Ripple standards. It’s a valuable addition to my library of Ripple educational content.
Thanks!
Joel H. (verified owner) –
Really a great tutorial, I’ve watched most of it at least twice and expect to be referring to it for some time to come. Very valuable insight into several projects for which Logic can be used!
I bought Logic Pro X several years ago and its complexity relegated it to an unused corner of my SSD. Watching this tutorial is moving me closer to it being my audio tool of choice.
Mary’s conversational tone is really wonderful. Her description of the tools in Logic has allowed me to use my Mackie Mixer and FMR RNC Compressor more effectively in live events. I also now use my other audio editing software better as well.
Great tricks of what to do with a “two people with totally different voices recorded onto one track” audio file. Many other great things, highly recommended!
Anja F. (verified owner) –
Wonderful tutorial! I always found working with sound difficult – with this tutorial recording, editing and mixing is easy and fun. I learned a lot and now I am able to get really good really good results working with dialog – so happy. Thank you!
Martyn G. (verified owner) –
I have been waiting for this tutorial to come from the guys at Ripple for over a year now. I have only got through the recording videos so far but I am more than happy with what I have seen so far. Mary’s delivery is conversational and engaging and the content seems spot on. Looking forward to viewing the rest.
Hugh W. (verified owner) –
This is hands down the best tutorial on recording, editing and mixing dialogue I have ever used! Mary Plummer speaks clearly and at a great pace that makes it a breeze to follow along. ‘Working with Dialogue and Voice in Logic Pro X’ has already allowed me to step up my post production game. If you are looking to learn Logic Pro X do yourself a favor and buy all of Ripple’s tutorials! Ripple Training is the best resource for Logic, Motion and Final Cut Pro one could ever hope for! Thanks Ripple!