- Understand keying vs. compositing
- Understand how to produce a clean key
- Work with advanced keyer controls
- Avoid guesswork by working logically
- Combine keying with masks & color correction
- Covers from FCP 10.4 to 10.8
Keying and Compositing in FCP
$59.00
Keying vs. Compositing
Creating a clean key and a convincing composite are separate processes with different requirements. This tutorial will help you differentiate between the two, and give you the practical know-how for tackling a wide variety of green screen subjects.
The Keys to Success
Creating a good key requires the right type of subject, lighting, background and other factors. You’ll learn how to quickly evaluate your shots in order to determine if your subjects will key with very little adjustment or will require more of your time to finesse the key.
Become a Key-master
The Keyer effect in Final Cut Pro works automatically as soon as you apply it but it’s rarely perfect. Learn when you should tweak your key vs. building one from scratch, and how to work through the keying parameters in a logical fashion in order to get the best results.
Make it all Come Together
Even if you’ve achieved a clean key, your subject may not composite well depending on factors such as perspective, lighting, reflections, choice of background and more. We’ll show you how to improve your composites through a combination of tools and techniques that will help sell the shot to your viewers.
Keying and Compositing in Final Cut Pro 10.4
1. Goals
2. Keying & Compositing Defined
3. Key Factors
- Keying Factors
- Compositing Factors
4. Why Green?
5. Evaluating Greenscreen Setups
- 1st Setup: Lighting & Camera
- 2nd Setup: Lighting & Camera
- 3rd Setup: Bulbs
- 4th Setup: Proximity & Scopes
- 5th Setup: Camera
- 6th Setup: Wall vs. Fabric
- 7th Setup: Tight Quarters
6. Evaluating Shots
- UI Setup
- Greenscreen Saturation
- RBG Parade Luminance
7. One-click Keying
- Applying the Keyer Effect
- How Auto-Keying Works
- Keyer Paramaters
- Identifying Keyed Hue, Saturation, and Luminance
- How the Strength Parameter Works
- Keyed Luma
8. Refining a Key
- Evaluating the Automatic Key
- Evaluating the Matte
- Manual Sampling vs. Adjusting Auto-Sampling
- Understanding the Spill Level Parameter
- Reducing Spill Fringing with Color Selection Controls
- Using Fill Holes + Edge Distance to Repair the Core Matte
- Using Chroma Rolloff
- Adjust Luma Selecting and Rolloff
- Fix Video Checkbox
- Using the Matte Tools
- Fixing the Table Key
- Using the Draw Mask Effect
- Removing Green Reflections with a Hue/Sat Curves Correction
9. Hair Challenge
- Greenscreen Cyclorama Shoot Overview
- Locating the Shot to Key
- Evaluating the Shot for Keying
- Evaluating the Automatic Key
- Restoring Hair Detail with the Strength Parameter
- Smoothing with Matte Tools
- Using Light Wrap to Improve the Composite
- Workflow Review
- Grading to Improve the Composite
10. Lighting Variations
- Analyzing 3 Lighting Setups
- Evaluating the Automatic Key
- Identifying Lost Hair Detail
- Masking Transparency Issues
- Solving Core Matte Transparency
- Keying an Underexposed Greenscreen
11. Proximity
- Analyzing Greenscreen Shadow
- Manual Sampling
- Addressing Edge Detail
- Addressing Core Matte Transparency
- Masking Off Problem Areas
- Softening the Matte
- Eliminating Fringing
12. Motion Blur
- Adding Transparency
- Smoothing Edges
- Working with Spill Suppression
- Keying with Less Motion Blur
13. Keying Compressed Footage
- Keying ProRes
- Automatic Sampling of Compressed Footage
14. Keying a Log Clip
- Adding a LUT Before Keying
- Manually Grading a Log Shot Before Keying
- Keying the Log shot
15. Improving a Key with Targeted Grading
- Analyzing an Outdoor Greenscreen iPhone Shot
- Isolating Greenscreen for Analysis
- Analyzing the Automatic Sampling
- Removing Blue from a Greenscreen
- Keying the Graded Shot
- Comparing Graded vs. Ungraded Mattes
16. Split Keys & Full Manual Keying
- Identify Areas to Fix and Approach
- Adding Samples to the Automatic Key
- Splitting the Key
- Working in Manual Mode
- Tweaking the Core Matte
- Cleaning up Hair Detail with Spill Suppression
17. Keying Sideways
- Analyzing the Shot
- Keying Tips for Sideways Shots
- Adding Samples to the Automatic Sampling
- Working on Hair Detail
- Options for Core Matte Repair
- Transforming the Shot
- Masking
18. Wide Shot Keying
- Analyzing the Shot
- Using Built-in Content for a Background
- Applying and Analyzing the Automatic Sampling
- Evaluating Floor Shadows
- Creating the Garbage Matte
- Grading the Keyed Shot
- Adding Bullet Point Titles
- Transforming the Shot
19. Keying & Compositing
- Shot Evaluation for Both Keying and Compositing
- Applying and Evaluating the Initial Key
- Improving the Composite With Primary and Secondary Color Corrections
- Recovering Hair Detail
- Masking Off Elements
- Transparency Issues
- Reflection Issues
20. Keying Workflow Review
- Step 1: Evaluate Auto-sampler in Matte View
- Step 2: Masking
- Step 3: Color Selection for Edge Detail
- Step 4: Core Matte Restoration
- Step 5: Shrink/Expand/Soften
- Step 6: Spill Suppression
- Step 7: Light Wrap
- Step 8: Grade for Composite
21. Cutting Between Keys
- Evaluating the Shot
- Examining the Initial Key
- Core Matte Adjustment
- Garbage Masking
- Animating the Mask
- Evaluating Shadows
- Animating the Key
- Grading To Match the Scene
- Matching the Close Up Shot to the Wide Shot
- Transformations on Subject and Background
22. Animated Keying
- Shot Analysis: Keying & Compositing
- Keying and Initial Evaluation
- Addressing the Core Matte
- Animated Garbage Masking
- Adding Shadow Detail
- Addressing Spill Issues
- Grading
- Splitting the Key
23. Removing Markers
24. 3-Way Challenge
- Analyzing the Shot
- Keying Approach
- Correcting the Greenscreen
- Analyzing the Automatic Key
- Working on Hair Detail
- Manual Core Matte Adjustments
- Fine-tuning for Spill Outlining
25. Keying on White
- Shooting on a White Cyclorama
- Luma Keyer vs. Keyer Effect
- Sampling from 0 Strength
- Garbage Masking
- Placing the Subject in the Composite
- Integrating the Subject with a Masked Correction
- Closing
Who this Tutorial is for:
Editors, producers, and content creators who need to a thorough understanding of the keying and compositing process in Final Cut Pro. Users who are new to Final Cut Pro should purchase our Final Cut Pro Core Training or Final Cut Pro Essentials Bundle before working through this tutorial.
Anyone who needs to key a shot to replace a background in Final Cut Pro or anyone who shoots subjects with the intention of replacing the background.
Software Version: Final Cut Pro 10.4 to 10.8.
Run Time: 2 hours 22 minutes
Type of Tutorial: Workflow Focused
Project Media: Project Media is Included
About the Author: Mark Spencer
30 reviews for Keying and Compositing in FCP
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Martin H. (verified owner) –
I have learned so much about keying just in the first few videos. I use Hawaiki Keyer (and am very happy with it), however, I have never really understood how keys work nor how to get the best results out of them, nor how to light and expose properly for the key itself.. So this is the course I should have watched first. Thank you, Mark, (and Steve and the Ripple crew) as always, for making my professional life so much easier. Money very well spent.
Steven M. (verified owner) –
Since I have been keying for over 25 years, I assumed that the FCP X keying controls worked a certain way, but my mediocre keys kept proving me to be wrong. In two hours Mark Spencer managed to completely change my approach to using the FCP X and Motion keying controls. Definitely the best money I have every spent on improving my knowledge– I only wish I had made this purchase earlier, as I would have saved myself so much frustration and struggling. Thanks for setting me straight, Mark!
Carl R. (verified owner) –
As I work through this tutorial, I constantly learn something new and instantly reusable in my day to day projects. Ripple training has been a great learning resource.
Heron (verified owner) –
Very informative! It introduced me to compositing. Previously I had heard the term, but had no understanding of the process. This tutorial has proved extremely valuable to me already and I will continue to refer to it. Thanks to Ripple I now have another great resource to help me on my creative journey!
Caron (verified owner) –
Excellent Tutorial, a MUST HAVE, for those who work with green screens:
“Keying and Compositing” has so many smart and useful tricks to get the best images out of your film.
I now feel so much more comfortable with FCPX Keyer, getting new creative ideas, in so many ways.
Thanks a million.
Frank D. (verified owner) –
All of your videos are terrific but I thought this would be more about Keyframing, as that is one of my (many) weak spots, rather than Keying. My bad. So I started watching it and then gave up and went to Color Correction, which I am watching now. It is really, really good!
Ray (verified owner) –
Thanks for this great refresher as well as some great techniques with compositing.
Phil (verified owner) –
Mark is a great teacher. The lessons build logically and methodically. It’s also great that he takes the time to answer my questions.
Paul (verified owner) –
You can figure it all out yourself, but this training saves you a lot of time. And the bonus is the tips and tricks. Thanks!
Eric C. (verified owner) –
I’ve been keying since the days of Blue screens and this video is a must for the rank armature to the seasoned professional. Why? Because many of us have a propensity to forget some things and never bother to learn new techniques that could really help us in the profession. This video pretty much covers the whole gambit lesson by lesson. So glad I purchased it. Eric C.
Frans C. (verified owner) –
It is a great tutorial. Lots of new information. Thanks.
Brian F. (verified owner) –
I have been shooting keys for decades but already by lesson 7, I have picked up some great tips for lighting (green bulbs) and specifically with regard to FCP’s keyer which I have found rather mystifying up to date. As I progress to and thru Lesson 25 I’m sure I will finally become a Key Master. Mark, as always, is great. Articulate and Thorough.
Raymond K. (verified owner) –
This is a great course if you’re new or have used Final Cut Pro from the start. It was great to learn especially when there’s problems in a key and how to work around it to get the best results possible by using masks, layers and quick garbage masking. Although as the course mentioned it’s not going into advanced compositing as you would get with other programs suited for that, it does show some impressive composites especially with a moving subject with a convincing shadow movement and other blending nodes to get a good shot. I recommend it if you’re into broadcast or working on your reel in blending live action plates into your scene.
Philip S. (verified owner) –
Mark Spencer is an outstanding teacher. He breaks down complicated keying situations in a logical, methodical manner and with great clarity. He removes the intimidation factor.
Moreover, he takes the time to answer questions via email.
Nathan F. –
I really love the Ripple Training presentation style. I’ve tried other training sites like Lynda and Macprovideo but for me personally, nothing compares to Ripple Training. The Keying and Compositing tutorial is very detailed and just what I required to fully understand this process. These days it’s so easy to recommend a plug-in for this or an app for that but Ripple Training likes to show you how to get the most from Final Cut Pro rather than spending money on extras. I really enjoyed this tutorial and would recommend it to anyone who wants to use this very powerful built in feature.
Eric C. (verified owner) –
I love Keying and Composing tutorial. From a rank amature to a seasoned professional, this tutorial is bound to give you a better understanding of keying and composing. Years ago, when I was giving seminars at WEVA, I told everyone who would listen that if you only learn one very small thing from any seminar you attend, then it’s priceless! I feel the same way about this tutorial. Even though I’ve been keying and composing for many years, this tutorial gave me new insights in how to do it better. In the long run, isn’t that what we all desire to do?
Mike P. –
As always…another outstanding series of tutorials. I have just had a client decide to evolve from location shooting back to studio stuff with green screen so the timing is perfect. That said…every new series of training videos from Ripple Training is a must have. I should just give them my credit card number and have a standing order on any and all training. The new library system is ideal for those times when I need a quick refresher. I’m sure this series will get a lot of use from me and my team.
Peter T. (verified owner) –
Pretty much a novice when it comes to this type of process, having this resources helps me enormously. I am a fan what Ripple Training offers.
James Kohler (verified owner) –
I have purchased many courses over the years from Ripple and have always found their courses the best and I have tried many others but I always come back to Ripple. While I have been doing Keying for a few years this course taught me a LOT!!! A lot of things I was doing were not the best ways, tips on color correction with keying, etc. For my money their no better course on Keying than this one. The money was very well spent. Mark does an excellent time explaining everything very well. I know I’ll be going back to watch parts over again!!
James K. (verified owner) –
The course was fantastic!! The only thing I would liked to see is more keying issues with lower end cameras. A lot of the course was using high end cameras – Red, etc. other than that I’d give 5 stars out of 5 stars!!
Mike T. (verified owner) –
Great video training. By far and away the most in-depth, detailed training. Excellent!
Tim D. (verified owner) –
These people are humans… that means they have not yet succumbed to the modern trend to be just fake… carry on and we wish you all the best… I thought I was using the keying effect correctly until I saw this… how wrong I was… the information in this training is invaluable… I don’t use a lot of green screen and I am in no way professional… there is something here for everyone…
Paulo B. (verified owner) –
I have recently started to use FCP. I didn’t knew anything about the software. My starting point was Ripple Training tutorials. Everything I know today about FCP I have learned with their tutorials. The Keying and Compositing is also a excellent tutorial and explains the subject in detail. The calm and clear explanations of Mark Spencer are very important to understanding everything. Congrats on your work and especially to Mark Spencer. Thank you for your support.
joebecker (verified owner) –
This is a great tutorial for Bothe beginners and experience professionals working in Final Cut Pro. As always, Mark Spencer communicates clearly and concisely the basics of keying and compositing but not at the expense of dxelvinging into the techniques needed to produce satisfying real-world results.
Mike T. (verified owner) –
I’ve subscribed to a number of learning resources for Final Cut Pro including Lynda.com and larryjordan.com. They are great for getting an overview of the key features of FCPX. However, if you want an in-depth tutorial and, most importantly for me, the background and reasoning for features, you need to get Ripple Training. The keying tutorial goes through virtually every feature of the FCPX keyer, and there are many, and gives you concrete examples of when and how to use them. I strongly recommend the Ripple tutorials if you really want to be proficient in Final Cut Pro X.
Phil W. (verified owner) –
I have invested in a number of Ripple Training courses, products & webcasts and have always been impressed by the commitment, subject knowledge and enthusiasm shown in presenting the material. This tutorial is no exception and has enabled me to understand the concepts of keying and to encourage me to apply those concepts in practice. In particular, I would thank Mark for his work as his presentation style is excellent, which makes following the tutorials very enjoyable.
Kurt H. –
One of the best take-aways from this outstanding course is the fact that you learn how to analyse your images, prior to the actual keying.
Knowing where to look at, identifying possible pitfalls, understanding the importance of lighting, composition, codecs, …
Working myself through this great tutorial will have a significant impact on my next green key setup.
High Five Mark!
Kes A. (verified owner) –
Thank you Mark and Steve for making this course. Have always appreciated your products and philosophy when it comes to training. Very easy to follow and comprehensive. I feel that this is the type of training that would convert other editors to FCPX if they knew the ins and outs of the keyer. I definitely learned a lot from this and look forward to implementing the lessons into my workflow.
Simon S. (verified owner) –
I’ve been keying and compositing for 30 years and purchased Mark’s course. You’re never too old to learn something new and I found this course outstanding. This is brilliant and I highly recommend it to even the most ‘seasoned’ compositor. Even if you pick up just a couple of points, it’s worth the 50 odd buck! Thanks again Mark.
Diane S. (verified owner) –
I am enjoying Keying & Compositing. . .it’s adding to my FCP X skill set. Seeing the videos adds a level you just can’t get from reading the manuals.